Dragonflies are like Waze. They predict. They don’t chase after mosquitoes, they intercept them, which means they have to calculate the mosquito’s distance, speed, and trajectory. Dragonflies perform these calculations in milliseconds, far faster than Waze, which always takes agonizing seconds to load as it computes the route, average speed of drivers, and quagmires that might await.
Here it was laid out: we’d tricked with Clint a few times over the years. Sure, he was a geek, but he possessed this obscure magnetism. He was so indelibly himself, we allowed ourselves, when with him, to believe that the established rules of conduct, constraining all men of our tribe, could be ignored.
The people whom Arbus photographed were probably separated from their families when they were born. Their mothers and fathers were most likely told that they would be too much of a burden to raise. However, none of this is really what we are supposed to be thinking about when viewing the Untitled series. We are told to think about the compositional choices, the lighting, the true talent of Arbus who discovered these subjects.
It’s late on a Saturday night and Metalhead is at some kid’s basement party. The kid got the new Slayer album that afternoon and has it blaring because his parents are not home. Rockgod holds both hands up in the air like he is prey for bandits, but the rest of his body convulses, his head shaking back and forth, up and down and windmilling along with the drum beat. Metalhead laughs and then there is a body careening into him, pushing him into another kid who is jumping and shimmying against the wall because heavy metal is the stuff that binds kids together, the fray that keeps their blood inside them. When Metalhead’s sister has her friends over, they dance in the living room to Madonna or Culture Club while his father complains that the music is too loud. Metalhead can feel the guitar in his teeth, can feel the speakers’ rumble deep in his chest.